Monday, August 21, 2017

More Views On Why European Western Comix Don't Fly In The U.S. Part 3



By Bob Boze Bell
July 30, 2017

   I have spent the last couple weeks in France and Germany seeking out some great comix on the American West and, believe me, they have some wonderful work over here and, more importantly, they have an appreciation for our American West that is exhilarating, to say the least.


German word balloons from the graphic novel "Mac Coy"


   I have asked my American history friends to weigh in on this dilemma—why don't European Graphic Novels on The American West sell in the U.S.— and I have posted comments from The Top Secret Writer, among others. Here are two more angles, the first from a film historian on all things Spaghetti Western.

Chris Casey's Take:

   "I've been reading European comics and graphic novels (with the help of dictionaries I must quickly add!) such as BLUEBERRY, DURANGO, TEX WILLER, etc., for quite a long time (at least since the late 1980's) and I have asked myself the questions you are asking yourself, now, many, many times. Sure, there's the language barrier---but, that could be eliminated fairly fast if an American publisher would pick up some of these titles for release Stateside.



                   Lt. Blueberry by the master cartoonist Jean "Moebius" Giraud

   "Frankly, I think a large element as to why is plain and simple prejudice.   I've lost track of how many people in the Western history and movie buff realm that cannot stand the Spaghetti Westerns (or any of the other European Western films like the German WINNETOU series that predated the Spaghettis)---even though they really haven't seen very many.

   "Their thinking runs along these lines, a lot of the time: 'They were made by foreigners!  How can they be good?'  'They aren't authentic!'  'They are inaccurate!' Immediate blind resistance!

   "And when they decry the authenticity and accuracy of these movies and comics I always have to chuckle and shake my head, because a huge chunk of these folks are rabid fans of John Wayne, Roy Rogers, Gene Autry, The Lone Ranger, and so forth.   And, in my opinion, there aren't any better examples of non-accuracy than those (from a historical standpoint). But it can't be just prejudice that is stopping these publications from succeeding here. Wish I knew what it is, because I would fix it!"
—Chris Casey

Fellow Artist Thom Ross Weighs In:
   "As the United States we share a united mythology; What is fascinating is that in other countries all around the globe each one produces a similar cast of characters.

   ?The social bandit: Billy the Kid (USA)  Robin Hood (England)  Ned Kelly (Australia) Villa (Mexico)

   "The defeated military hero:  Custer (USA)  Leonidas (Greece)  Roland (France) and the powerful National figure:  cowboy (USA)  Knights in armor (pick your country) samurai (Japan)  cossacks (Russia).

   "But like Australia, out country is so 'new' that we don't have that same sense of antiquity that almost every other country does so we've had to make due with what we produced in our short history; and the clashing of cultures etc in the Wild West was perfect for the formula......but it happened only yesterday so the wounds may still be scabbing over.  (Look at some of Europe's truly great heroes: Saul, Spartacus, Jesus, Leonidas....there are four cultural heroes who go back over 2,000 years!)

   "And the grim realities of war is still very fresh in Europe.  Outside of 9/11 the last time our land was invaded was when Villa crossed the border into New Mexico in 1916!  That those European countries had such spans of peace.

   "So the need for a hero of some sort is still a necessity for people today who may feel that they are losing their country/culture.  Here in America one could almost feel that we are not just losing our country and culture but we are giving it away if not THROWING it away.

   "So the comic book, and the comic book heroes, have faded away in America.  Yet now when we make movies (the 'new' comic book!) we make movies about Batman, Spiderman, and Wonder Woman.  These tales do have some sense of morality I suppose.....but a cowboy is at least based in fact whereas a multi-millionaire who dresses up at night like a winged rodent and does these impossible "anti-gravity" acrobatics while battling crime does not carry the same weight because we all KNOW it is totally invented.

   "And the capitalistic morality of the Cartwrights (Bonanza) and the Barkleys (The Big Valley) has been rejected here at home.  

   "Yet somehow the American West lives on as a kind of wonderworld for many people in Europe who no longer have the room or the LANDSCAPE where these morality plays can be acted out.

   "New Mexico is the size of Germany......but in population it is 2 million vs 80 million.  We still HAVE the mythic landscape which we take for granted while those who live in Europe can only dream of.

   "So a comic book, with it's reliance on artwork, can still show VISUALLY this wide-open landscape where the cowboys and indians, good guys & bad guys, can act out their legends. 

   I have a German friend, Klaus Messerer, whose father was a HUGE western freak.  I told Klaus that the next time his father came here to visit from Germany we should take him to Lincoln and show him the places that figured so largely in the story of Billy the Kid.  Klaus said we can't do that........his father was convinced that the whole 'Wild West' thing was a TOTAL fabrication, and that there never was a real Billy the Kid.  The myth was so powerful that it actually erased the reality in his mind! To me, Klaus sums it all up:

Special Birthdays



Paul Landres (director) would have been 105 today, he died in 2001.












Joe Strummer (singer, actor) would have been 65 today, he died in 2002.








José Luis Díaz (actor) is 60 today.

Sunday, August 20, 2017

Who Are Those Composers ~ Roque Baños




Roque Baños López was born in Jumilla, Murcia, Spain in 1968.B años has been involved in music his whole life, his father being a saxophonist, and he himself completed a basic saxophone degree at the Upper Music Conservatory of Murcia. In 1986, Baños moved to Madrid where he attended the Real Conservatorio Superior and continued his musical studies, obtaining professional degrees in the saxophone, piano, harmony, counterpoint, composition, instrumentation and conducting. In 1993 he received a grant from the Ministry of Culture to study at the prestigious Berklee College of Music, and it was as a student at Berklee that he would develop his aspirations to compose film scores and jazz.

Although Baños initially developed his skills as a concert musician, he soon decided to focus on composition. His approach to film music is due to his education at the Berklee College of Music in Boston, Massachusetts. There, he studied music composition with David Spear and orchestral direction with Gregory Fridge, specializing in composition for film scores and jazz, winning several awards, among them the Robert Share Award for showing the highest dramatic level in the area of film score. He graduated Summa Cum Laude in the branches of film score and jazz composition.

Back in Spain, after a brief period in the short film scene, he began to compose for the big screen thanks to actor Gabino Diego. Since then he has composed many works along with fellow Spanish composer Alberto Iglesias.

In 2008, he received the Goya Award for Best Original Score for the soundtrack of Las 13 rosas.

He composed an American film for the first time in the 2013 horror film Evil Dead.

His music is notable for a great jazz influence, as showed in the majority of his works and especially in El robo más grande jamás contado (The Biggest Robbery Never Told).


BANOS, Roque (Roque Baños López) [1968, Jumilla, Murcia, Spain -     ] – composer, orchestrator, songwriter, conductor, musician (saxophone, piano), actor.
800 Bullets* - 2002